Übersetzung im Kontext von „I am a modest“ in Englisch-Deutsch von Reverso Context: I am a modest person and do not believe such an omission would be. Deutsche Übersetzung von "modest" | Der offizielle Collins Englisch-Deutsch Wörterbuch online. Über Deutsche Übersetzungen von Englische Wörtern. Übersetzung für 'modest' im kostenlosen Schwedisch-Deutsch Wörterbuch und viele weitere Deutsch-Übersetzungen. Gefunden in 11 ms. Erfahrungen secret de It involves the legitimate and fair way of life of hundreds of modest families. English I agree with the modest satisfaction expressed by modest auf deutsch rapporteur, Mr Blak. Electronic Code Book Mode electronic code book mode. While there, Modest studied live soccer ru piano with the noted Anton Gerke. Already the The book of dead philosophers pdf circle was disintegrating. English This tax is therefore olympic casino lietuva in relative terms for those with more modest incomes. Views Read Edit View history. The opera has also been revised by other composers, notably Shostakovich, who made two versions, one for film and one for stage. Orientierung an der neuesten Mode trendy. Counter Mode counter mode. Die Mode kommt und geht. In this version the opera was accepted, probably in Mayand three excerpts were staged at the Mariinsky Theatre in In addition, he has a certain base side to his nature which likes coarseness, uncouthness, roughness.
Mode und Kurzwarenhandlung shop which handles Western-style apparel and accessories. Mode werden come into fashion, flourish, thrive, to be propagated, to spread.
Mode wiederbeleben revive a fashion. Moder decay, dry rot, fustiness, house fungus, humic substances, humin, humus, mildew, moder, mold, moldiness, mor, mould, mull, must, mustiness, rot, rottenness, rust, true dry rot.
Modern Creative Modern Creative. Modern Dance modern dance. Modern Talking Modern Talking. Modest Petrowitsch Mussorgski Modest Mussorgsky.
Orientierung an der neuesten Mode trendy. Output Feedback Mode output feedback mode. Real Mode real mode. Secondary Modern School secondary modern school.
Ich entfernte die Farbe des Gesichts und, wie er immer von Blut wurde bekannt als "The New Yorker blasser Tropfen", emuliert sein Spitzname, indem Sie versuchen zu schauen, wenn er nicht einen in seinen Adern.
Gefunden in 11 ms. The mutability of the second-syllable vowel in the versions of the name mentioned above gives evidence that this syllable did not receive the stress.
The addition of the "g" and the accompanying shift in stress to the second syllable i. The Western convention of doubling the first "s", which is not observed in scholarly literature e.
His wealthy and land-owning family, the noble family of Mussorgsky , is reputedly descended from the first Ruthenian ruler, Rurik , through the sovereign princes of Smolensk.
At age six, Mussorgsky began receiving piano lessons from his mother, herself a trained pianist. His progress was sufficiently rapid that three years later he was able to perform a John Field concerto and works by Franz Liszt for family and friends.
At 10, he and his brother were taken to Saint Petersburg to study at the elite German language Petrischule St. While there, Modest studied the piano with the noted Anton Gerke.
Sharp controversy had arisen over the educational attitudes at the time of both this institute and its director, a General Sutgof.
Music remained important to him, however. Following family tradition he received a commission with the Preobrazhensky Regiment , the foremost regiment of the Russian Imperial Guard.
In October the year-old Mussorgsky met the year-old Alexander Borodin while both men served at a military hospital in Saint Petersburg.
The two were soon on good terms. His manners were elegant, aristocratic: There was a touch—though very moderate—of foppishness.
His politeness and good manners were exceptional. The ladies made a fuss of him. He sat at the piano and, throwing up his hands coquettishly, played with extreme sweetness and grace etc extracts from Trovatore , Traviata , and so on, and around him buzzed in chorus: There, critic Vladimir Stasov later recalled, he began "his true musical life.
Balakirev had an especially strong impact. He recalled to Stasov, "Because I am not a theorist, I could not teach him harmony as, for instance Rimsky-Korsakov now teaches it In , within a few months of beginning his studies with Balakirev, Mussorgsky resigned his commission to devote himself entirely to music.
This may have had a spiritual component in a letter to Balakirev the young man referred to "mysticism and cynical thoughts about the Deity" , but its exact nature will probably never be known.
The latter was the only important piece he composed between December and August By this time, Mussorgsky had freed himself from the influence of Balakirev and was largely teaching himself.
During this period he had returned to Saint Petersburg and was supporting himself as a low-grade civil-servant while living in a six-man "commune".
In a heady artistic and intellectual atmosphere, he read and discussed a wide range of modern artistic and scientific ideas — including those of the provocative writer Chernyshevsky , known for the bold assertion that, in art, "form and content are opposites".
Under such influences he came more and more to embrace the ideal of artistic realism and all that it entailed, whether this concerned the responsibility to depict life "as it is truly lived"; the preoccupation with the lower strata of society; or the rejection of repeating, symmetrical musical forms as insufficiently true to the unrepeating, unpredictable course of "real life".
The year-old was, however, on the point of writing his first realistic songs including "Hopak" and "Darling Savishna", both of them composed in and among his first "real" publications the following year.
Decisive developments were occurring in his artistic life, however. A few months after abandoning Zhenitba , the year-old Mussorgsky was encouraged to write an opera on the story of Boris Godunov.
He completed the large-scale score the following year while living with friends and working for the Forestry Department. During the next year, which he spent sharing rooms with Rimsky-Korsakov, he made changes that went beyond those requested by the theatre.
In this version the opera was accepted, probably in May , and three excerpts were staged at the Mariinsky Theatre in It is often asserted that in the opera was rejected a second time, but no specific evidence for this exists.
By the time of the first production of Boris Godunov in February , Mussorgsky had taken part in the ill-fated Mlada project in the course of which he had made a choral version of his Night on Bald Mountain and had begun Khovanshchina.
From this peak a pattern of decline becomes increasingly apparent. Already the Balakirev circle was disintegrating. Mussorgsky was especially bitter about this.
His friend Viktor Hartmann had died, and his relative and recent roommate Arseny Golenishchev-Kutuzov who furnished the poems for the song-cycle Sunless and would go on to provide those for the Songs and Dances of Death had moved away to get married.
Mussorgsky engaged a new and prominent personal private physician about , Dr. He and his fellow drinkers idealized their alcoholism, perhaps seeing it as ethical and aesthetic opposition.
This bravado, however, led to little more than isolation and eventual self-destruction. For a time Mussorgsky was able to maintain his creative output: Although now part of a new circle of eminent personages that included singers, medical men and actors, he was increasingly unable to resist drinking, and a succession of deaths among his closest associates caused him great pain.
At times, however, his alcoholism would seem to be in check, and among the most powerful works composed during his last six years are the four Songs and Dances of Death.
The decline could not be halted, however. In he was finally dismissed from government service. Aware of his destitution, one group of friends organised a stipend designed to support the completion of Khovanshchina ; another group organised a similar fund to pay him to complete The Fair at Sorochyntsi.
However, neither work was completed although Khovanshchina , in piano score with only two numbers uncomposed, came close to being finished. Though he found a comfortable room in a good hospital — and for several weeks even appeared to be rallying — the situation was hopeless.
During to , in connection with the reconstruction and redevelopment of the so-called Necropolis of Masters of Arts, the square in front of the Lavra was substantially extended and the border line of the Tikhvin cemetery was accordingly moved.
The burial place of Mussorgsky is now a bus stop. He has been the inspiration for many Russian composers, including most notably Dmitri Shostakovich in his late symphonies and Sergei Prokofiev in his operas.
Mussorgsky thus edited the work, making a final version in The early version is considered darker and more concise than the later version, but also more crude.
Nikolai Rimsky-Korsakov re-orchestrated the opera in and revised it in The opera has also been revised by other composers, notably Shostakovich, who made two versions, one for film and one for stage.
The opera Khovanshchina was unfinished and unperformed when Mussorgsky died, but it was completed by Rimsky-Korsakov and received its premiere in in Saint Petersburg.
This opera, too, was revised by Shostakovich.